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Abel doesn't have quite as much to do as his brother Caine in the World of Darkness. He plays a small, but important role towards the end of Orpheus.
It is revelated late in the metaplot, as the forces of Grandmother and the Malfeans rage against each other in an attempt to control the Shadowlands, that Grandmother is actually hiding something in a distant, but heavily guarded Memory Tower. A group of ghosts is sent to investigate; after making their way though the tower, they find a wraith, wrapped in a white shroud and chained to a memory strut that forces him to constantly vanish and reappear. When they reach him, they free the wraith, who thanks them and introduces himself as Abel.
How close to the Biblical Abel this wraith is cannot be deterimined, but he knows enough to tell them he is the first murder victim. He explains because of the concept and load of him being the first of many whose lives were ended early, he actually serves as a one-way valve from any part of the living world to any part of the Shadowlands, including directly to Grandmother herself, if so desired. If he does this in such a way that the characters can direct a large channel of the very force of life through this twisted nihil, they can quiet, or possibly vanquish, Grandmother. How this is done is left up to their imaginations.